Dumb Thing I Love – Karaoke
I have to admit that it took me nearly three months of frequenting a karaoke bar in Costa Mesa, California before I ultimately butchered my very first song.
It was the summer of 2005, and I was spending that summer in Orange County between my freshman and sophomore years of college. I made some new friends early on during my stint there, and they took me to a karaoke bar once a week, seeing as I had nothing better to do. The host was a charming man, whose name I can’t recall, but he precisely like “Weird” Al Yankovic. He had egged me on to sing week after week, and each time I would politely decline, opting instead to watch a friend sing Madonna’s “Starlight” or some shit like that. On my final visit to this bar, I sang Elvis Costello’s “(What’s So Funny ‘Bout) Peace, Love, and Understanding,” and, man, was that a train wreck. I sang my through that like a bumbling jackass. But my friends were there, patting my back, saying, “Good job.”

Not nearly this cool. But close.
And that’s what karaoke is all about, in a nutshell. I now host a karaoke night at a bar on a weekly basis, and have been doing so for nearly a year. Up to that point, I was frequenting karaoke spots around San Diego for years and rarely had anything less than a blast. Funny how that happens, sometimes.
So am I something of a karaoke expert? Yes and no. I’ve sung hundreds, if not over 1,000, karaoke songs by my estimation. But my voice hasn’t become amazing or anything; I would still make Josh Groban cringe if he were to walk into my karaoke night (Hey, it could happen!). Am I a “karaoke jockey,” or “KJ”? I suppose so. But I really dislike that term and I never qualify myself as one. Sometimes I’ll see rankings of the best KJs in the city, and I’m glad that my name is nowhere on these lists. If it were, it would be on the bottom of that totem pole. I take a stupid pride in the fact that I run a less hackneyed, more down-to-Earth room. Jokes and fun are still had, mind you. Here’s the part where I get off of my soapbox.
It’s understandable that people have reservations about going up in front of a room filled with strangers and singing, “Gin and Juice.” I get it. The thing is, nobody in the crowd is an A&R rep from Atlantic Records looking for the next Selena Gomez. If you nail a song, you’ll earn yourself a hearty applause. If you don’t do so well, or if you’re just not loud enough with the microphone, people will go mind their own business and politely clap. It’s a win-win situation! Just remember that you will NOT be this guy (unless you ACTUALLY are this guy, reading my blog, which would be highly improbable and brilliant at the same time):
But before you laugh too hard at this handsome specimen, guess what? He still has the cadence of the lyrics DOWN.
What really takes a lot of chutzpah is to improvise upon an already established classic. But this is strictly a move for the veterans out there. It must be calculated. It must be consistent. It must be at least a little bit funny. It must be convincing. Otherwise, it will prove to be disastrous. Again, you will not be booed. Unless you’re certain you can pull off something like this, just wait on it for a little while:
The true beauty of karaoke is that it will be whatever you want it to be. If you want to pretend that you’re auditioning for American Idol, then have at it, Ruben Studdard (God, what happened to him?). If you want to go up there with nine of your girlfriends and sing “Girls Just Wanna Have Fun,” eh, do that, I guess. Want to sing every Enrique Iglesias song that’s available at a given karaoke spot? Fuckin’ do it, man. If you want to hang with your friend, have some drinks and make snide remarks to each other about the people that are actually singing, you can do that, also (you douchebag).
What I’ve taken from doing karaoke all of these years is increased sociability, and an acceptance of failure. The first point should speak for itself, but regarding falling face-first into a pile of metaphorical shit: it’s good for you. Failure at singing a Wham! song can be treated much like any life failure. Go find your friends. Let them tell you that it’s gonna be alright. Laugh about it. And go sing again.
Just don’t sing “Don’t Stop Believin’,” for the love of God.

Steve Perry, you can go STRAIGHT TO HELL, BROTHER.









